The attribution to Granger is further supported by the workmanship of the museums suit, which features a cast bronze head distinctive to the firms products. As with the museums example, Grangers miniatures, about a dozen of which are known, copy sixteenth-century-style horsemen. The company also made full-size armors for the Paris Opera and Madame Tussauds wax museum in London. A prominent company of its era, Granger exhibited at the 1844 National Industrial Exposition in Paris and in 1862 at the London International Exhibition. Handcrafted diminutive suits were no longer built for children, but were toys for big boysaficionados who collected the miniatures and full-size armors with near equal passion.Ī comparison with those of known origin and date suggests that the Higgins Museums armor is a product of the Parisian firm E. The nineteenth-century Gothic Revival mania for all things medieval, however, revived the fascination with knights and knighthood. Others were part of cabinets of curiosities, a mélange of unusual and exceptional items collected by wealthy patrons.Īrmors disuse in the latter part of the seventeenth century resulted in reduced interest in the expensive miniatures. Armorers also made such toys and suits as showpieces, or logos, for their guildhalls. The future Emperor Maximilian I (reigned 1493≡519) played with jousting knights similar to todays action figures, drawn toward one another until lances struck their targets and one knight toppled to the ground. Continuing the tradition, puppetlike armored knights on horseback were elaborate toys of medieval and Renaissance princes. The history of miniature warriors and armor elements extends through the centuries, with model soldiers found entombed with Egyptian pharaohs, and tiny helmets and body armor used as votive offerings in ancient Greece. The skirt of mail is made of fine rings only 3/32 inch in diameter. The helmet has hinged cheekpieces, the arm and leg defenses articulate fully, and the gauntlets have miniscule scales on thumbs and fingers, the longest being 5/8 inch. Multiple steel plates are fastened together with minute brass rivets, washers, iron pins, catches, and hinges.
1 Intricately made, the suit consists of ten finely crafted elements of armor that encase a fully jointed, leather-covered wooden mannequin with a movable and detailed cast bronze head. One of the finest is a suit that measures under a foot tall, built in the same exacting manner as a late-sixteenth-century armor for war.
Courtesy of Higgins Armory Museum, Worcester, Massachusetts photograph by Jon Jameson.Īmong the holdings of the Higgins Armory Museum are miniature armors and elements. 1: Miniature armor after the late-16th-century style, attributed to E.
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